The most entertaining track (of many) on Wood & Wire’s excellent new album, No Matter Where It Goes From Here, comes at the end. “Clamp’s Chute” is a nine-minute long live instrumental that is reminiscent of the kind of thing […]
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Sometimes an album is more than the sum of its parts, providing a little something extra on top of a good listen. So it is with Jake Blount’s new release, Spider Tales, a collection of black American roots music whose […]
There is a lot of Nashville in Call the Captain, the new album from Seattle-based band Western Centuries — the collaborative songwriting group of Cahalen Morrison, Ethan Lawton, and Jim Miller. Not surprising, perhaps, as it was produced by Nashville […]
The first two tracks on Michael Doucet’s new album are solid Cajun stuff. They are rollicking tracks like those at which Doucet’s old band, BeauSoleil, excelled — but nothing unusual. Then it changes: Lâcher Prise gives you many more spicy […]
There is a moment in Ken Burns’ wonderful Country Music documentary when he traces the twin themes of the genre — singing about home and hearth, or about being out on the lonesome road — to The Carter Family and […]
Bobby Hawk’s first solo album Lights On Kinks Out is one of those releases that requires a few listens. After my first run-through, I thought “meh.” The second left me a bit more positive. When I heard it for the […]
There is a fair bit of banjo on Time Sawyer’s entertaining new album Mountain Howdy, but as befits the alt-country style of the band, it is by no means frenetic mountain bluegrass picking. Indeed, some of it is a refreshing use […]
It is completely unfair to relate the work of a child to that of their parent. But here goes anyway. It barely takes a moment listening to Cancel the Sun, the entertaining new album from The Rails, to be reminded […]
It is becoming almost a rite of passage that veteran singers and musicians who achieved a modicum of success in earlier years try to stir up interest with an album of covers. The latest in this genre is from Rickie […]
Musicians must hate it when a reviewer likens their hard work to that of a more famous performer — particularly if, like New Orleans-based singer-songwriter Anders Osborne, you have been around a while yourself. But Osborne’s lovely new album Buddha and the Blues has moments throughout […]
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