You are not altogether sure what you are listening to when you fire up Father John Misty’s new album, Chloë and the Next 20th Century: Apart from his mellifluous voice, which runs throughout, the tracks are all so very different. […]
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Anyone who has ever listened to a classical Indian raga knows the feeling: A little way into the performance you stop listening to the individual performers and get swept up into a dreamy musical trance. The same trippy effect can […]
There is a certain style of male voice that just oozes angst. Think Bruce Springsteen, Chris Rea, Thom Yorke. The songs are great — but, oh, the inner pain, the questioning pain! Judging from his new album, Hold Fast, Scottish […]
The Foreign Landers is a pretty good name for the married roots duo of David Benedict and Tabitha Agnew. He is from South Carolina; she from Northern Ireland. So, music from foreign lands is to be expected on their new […]
The Ladles new album — Springville Sessions — is “nice.” I don’t mean to damn it with faint praise by using such a mealy-mouthed term, but that is the word that kept entering my mind as I listened. There is nothing […]
Dawn Landes’ new album, Row, is to a certain extent a victim of the coronavirus. The soundtrack to a musical, it has been released without the show being staged. It was due to be premiered in summer at the Williamstown […]
The most entertaining track (of many) on Wood & Wire’s excellent new album, No Matter Where It Goes From Here, comes at the end. “Clamp’s Chute” is a nine-minute long live instrumental that is reminiscent of the kind of thing […]
Sometimes an album is more than the sum of its parts, providing a little something extra on top of a good listen. So it is with Jake Blount’s new release, Spider Tales, a collection of black American roots music whose […]
There is a lot of Nashville in Call the Captain, the new album from Seattle-based band Western Centuries — the collaborative songwriting group of Cahalen Morrison, Ethan Lawton, and Jim Miller. Not surprising, perhaps, as it was produced by Nashville […]
The first two tracks on Michael Doucet’s new album are solid Cajun stuff. They are rollicking tracks like those at which Doucet’s old band, BeauSoleil, excelled — but nothing unusual. Then it changes: Lâcher Prise gives you many more spicy […]
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