DAVID LINES w/ THE LOST MILLIONS
What’s your favorite thing about the recordings you guys have done for THE LOST MILLIONS debut ‘101’ now available on iTunes? They are all really good songs on this album and they don’t sound like anything else out there to me. We are proud of it and can’t wait to see how they go over. For all I know there’s a whole genre built around bands that sound like us, who knows. We’re nobody but represent millions. We’re just four more dudes playing rock in a band. Everytime we get together it seems like someone in the group says quietly in passing “the ‘lost millions’ are kind of a big deal” LOL..
How does the writing process work for you guys? The bulk of material on this album was written by Matt Westfield and Heath McBurnett in what has become a prolific partnership. Generally, the songs begin with a riff or progression in a jam situation and develop from there.
Did you go in to the recording process with a vision for the sound over all or is it more of a sum-of-the-parts / songs-as-they-happen dynamic? There wasn’t any preconceived overall sound we were shooting for on this one. We just started building on the framework with the gear we had and what we thought the song dictated.
What is your go-to set up? In the studio, I mainly used a Fender Blues Jr., although an Orange and a BF Bandmaster were used as well. Effects-wise I used a Ibanez ts808, MXR phase 90, and a Big Muff. For guitars I used a Strat, Les Paul, and an Angers 12 string. I played the Wurlitzer through a SF Champ. There wasn’t much food involved.
What was the first record you ever bought and how do you feel about it today? The first record I ever bought was Elton John “Don’t Shoot Me I’m Only the Piano Player”. It still stands up. Great melodies, great lyrics and a killer band.
Can you recommend any guitar solos young guitarists should sink their teeth into? That is a tough question. There are so many different approaches and tones that I wouldn’t know where to begin. Usually what inspired you to pick up a guitar in the first place will lead you on your own journey. Some of my favorites for sure were played by Mike Campbell, Johnny Marr, Brian May, Billy Gibbons, David Gilmore, George Harrison, Joe Walsh and of course ‘Ace’ & ‘Pagey’.
Do you still listen to LP / CD’s or are have you embraced music via the computer and phone with platforms like Spotify? I still prefer listening to LPs. It is a ritual. Dropping the needle, checking out the cover and credits, flipping it over, it’s an interactive experience. Plus, I just think it sounds better. That said, I do listen on the phone and computer. I’m a music junkie but can’t always be near a turntable.
Outside of the SXSW bonanza, what can you tell us about the scene in Austin for bands looking to make in-roads in town or visitors looking to go pro for a night? Austin is struggling to find itself musically as the tech sector takes over. The cost of living has forced venues to close and musicians to move. We are just beginning to navigate the inroads of the new landscape and we will keep you posted on how that goes. For those from out of town looking to play for a night and make some money …good luck.
If you had to make a list, has your favorite music come from England or here in the US of A? My top ten is probably dominated by English bands but American bands would make up most of my top 100.
Through a series of unforeseen events you wind up at the Pearly Gates with a guitar and, as folks settle in, Saint Peter nods your direction and mouths “do something good!!” …. What do you go with? I imagine it would be a large and diverse crowd there so I would keep it instrumental. Perhaps “Bron-y-aur” or a Nick Drake inspired tune I’ve been working on. Chill, non-offensive, and hopefully impressive to the powers that be. Maybe they’d let me play with some of my heroes if I pass the audition?