Dida Pelled, like someone in love
I began listening to jazz when I was fifteen years old, at The Thelma Yellin High School (Israel). I didn’t listen to jazz at all before that. As a guitar player (I didn’t sing at all at the time) I loved listening to Wes Montgomery, Grant Green, and to other instrumentalists like Clifford Brown, Lee Morgan, Hank Mobley, Miles David, Coltrane, Ahmad Jamal and many others.
2.0 – Were you singing before you picked up an instrument?
No. I began playing music only as a guitar player, and did only that for a few years. I played many gigs as a guitar player only before starting to sing, and at the time I wasn’t even thinking about singing. After High school, I went to the army (like everyone in Israel), and I was chosen to serve as an ‘outstanding musician’, so I played in the army band. In that band I started singing a little bit, and I fell in love with it. A year after, when I moved to New York, I began singing on my gigs too.
3.0 – What was the first song you ever learned to sing and play at the same time?
In the beginning I didn’t sing jazz so much, and I was mostly fooling around with singing some Israeli songs, Nirvana songs, or something in that vibe, I don’t remember So I guess those were the first songs I sang and played at the same time. I think that the first standard that I’ve learned to sing an play at the same time was “Like Someone In love”.
4.0 – It seems so few female guitarists gravitate towards improvisation but rather use it as a vehicle for songs: did that come naturally to you or was it something you had to work at a bit?
It came very naturally, because I started as a guitar player, so improvisation was what I was mostly working on. When I played a gig, many times with another singer, I was only playing guitar, and improvising was my way to express myself. In that sense, I think that I’m happy that I started singing late, because starting with the guitar gave me a point of view of an instrumentalist first, and of someone in the band. Starting to sing after playing guitar and improvising, and really knowing the songs and the language helps a lot.
5.0 – How was your experience like atBerkeley School of Music?
I was there only for 5 weeks, so I don’t really know how it is like to be a student there.:)
6.0 – What led to your decision to ultimately go for it as a musician in the states versus your home of Isreal?
I had a dream about moving to New York even before I started playing music. My older sister and brother were students in NY and I wanted to do the same since I was very young. Later after I got serious into jazz, I had no doubt that NY is where I want to be!
7.0 – Do the early 50′s rock’n’roll pioneers have any influence on your sensibility as a player?
8.0 – What do you enjoy most: playing live, writing or recording?
9.0 – What’s your favorite thing about the music scene in New York?
I don’t know another city in the world where you can go out every night and find a few very good options of different music to listen to, and to be inspired by the best musicians in the world. I am back in NY at The Living Room on August 27th.
10.0 – If you could sit in with anyone, anywhere, anytime, past or present, for just one night….who and where?