D. Braxton Harris – Deep Dark Black
Still at work on the Quinsonics’ new demos, leader D. Braxton Harris put them aside and fashioned a quiet, transitional statement instead. As a result, Deep Dark Black allows some of his different influences their proper breathing room. Falling somewhere between Richard Buckner and Gillian Welch, these latest, contemplative songs feature sparse backdrops but remain firmly rooted in traditional sounds and structure.
Making the most of his freedom outside the confines of a band situation, Harris recruited fine players of all backgrounds, many from his home state of Alabama. Jason Ory creates texture with his pedal steel, while the banjo, fiddle, and vocal harmony of Terri McGinn and Carter Laney add a rugged Appalachian spirit that builds with great effect toward the latter songs. In addition, new Quinsonic Bo Butler provides fine guitar work throughout and contributes “Dear”, anticipating the promise of the band’s next record.
Though blessed with a strong voice, Harris purposely holds back. Only when he lets loose near the end of “Halogen” does the emotional tension break. Through this restraint, the songs capture a sense of uncertainty and hesitation that can overcome moments of decision. Rather than making any bold steps, Harris seems content to revel in the surrounding doubt. Deep Dark Black envelops the listener like a warm bed on a dreary Sunday morning, inviting him to remain still, even in the specter of responsibilities awaiting ahead.