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CD Review - Daniel Romano "Come Cry With Me"

Some sounds stay with you for a lifetime: the crackle and fuzz of a radio station blaring from the tinny speakers of a Datsun; the same songs coming from a small table top radio in the backyard on a warm sunny night. There was a time when AM stations ruled the airwaves and country and western hadn't yet become either New or Alt. Willie and Emmylou and Steve hadn't become elder statesmen yet. It was the 70s, and I was young kid discovering music the way we all do: through the stuff our parents listen too.

It's these sounds and memories that have been with me in the couple of weeks since Come Cry with Me, the newest release from Daniel Romano, landed in my inbox. If you grew up in the era, this is an album that will seem instantly familiar. Romano can be a bit of a musical chameleon at times. A few years ago he toured and released an album with Julie Doiron and Fred Squire. That tour presented traditional folk songs in a quiet, intimate show. He's also done producing work and tours with City & Colour, a band that fits the Alt side of the country equation fairly well (whatever, as the masthead says, that is.)

As a solo artist though, the chameleon tends towards the classic drawl and twang of the country music of the 70s. The homage is intentional and respectful: the cover features a cowboy hat wearing, sequined Nudie suit clad Romano sitting on a stool and and a typeface straight from the opening credits of a John Wayne western. It's perfect for the illusion contained within.

I never like making musical comparisons but it's hard not too in this case: from the opening notes Romano seems to be simultaneously channeling classic Willie Nelson, the quiet side of Johnny Cash and Hank Williams. The drum beats are slow and gentle and there's plenty of slide guitar as a backdrop to Romano's voice and guitar. It's music that feels like a visit from an old friend with a glass of whiskey in hand.

If there's a consistent thread that runs through Romano's varied output it's incredibly strong songwriting. The material here is no exception. In keeping with the album's theme, these aren't happy songs though. The album's opener Middle Child's chorus chimes in with "momma tell me / why'd you leave the middle child". Two Pillar Sleeper laments "one that catches the tear drops / that fall from my face / and one right beside me / to lie in your place." Even the story of Chicken Bill's upbeat happy twang, is a stark contrast to the dark mystery in the lyrics.

Badly done, an album like this can be a trip down memory lane that leaves you wanting the original more than what you have in your hands. That's not the case here: this isn't so much a nostalgia trip as it is a riff on and tribute to the best of another era. Romano's commitment to the idea of the album is so pure and the execution so well done that the album deserves a place on the shelf of any fan of what's typically called traditional country music. It's a high fidelity update of days gone by, and one that's destined to be considered a classic in its own right as time goes by.

If, as it turns out, you miss that crackle and fuzz you can always head down to your local Salvation Army, pick up a vintage tape deck and make a tape to play in the car when you go for a drive with your father. It'll take you back to a time when you were younger, your world was simpler and a little happiness could be found in a record full of short sad songs well played on a a slide guitar--not a bad thing at all.

Come Cry with Me is available from Normaltown Records or the iTunes store Daniel Romano is touring Canada opening for Whitehorse and playing solo dates through the states over the next few months. Complete tour details are available on his website at http://www.danielromanomusic.com/

Tags: CD Reviews, Come Cry With Me, Daniel Romano, Hank Williams, Johnny Cash, Normaltown Records, Six Shooter Records, Willie Nelson

Comment by Will James on January 24, 2013 at 12:10pm: Great sounds! Please forward a copy to Blake Shelton.

Comment by Jeffrey M Fields on January 28, 2013 at 10:18am: This is decent, but Liam Fitzgerald is doing the same thing better right now.

Comment by Rupert Lindsay on January 28, 2013 at 10:53am: I like it. Sounds a bit like Gram...

Comment by Trip Allen on January 28, 2013 at 12:12pm: I agree on the Gram similarity. Like a smoother Gram with better vocal control. Some interesting vocal inticacies going on in there that are subtle to catch. Well done. I'll seek out hearing more of Romano's work. Stands with Liam's work, not above or below it IMHO.

Comment by Trip Allen on January 28, 2013 at 12:13pm: No hope for Blake. I await the day he apologizes and confesses to Oprah, live from the Ryman.

Comment by Kyla Fairchild on January 28, 2013 at 12:45pm: Apparently he did apologize to Ray Price who accepted his apology:

Hi Folks, I had no idea how far this would go when I made my comment about BLAKE SHELTON’S statement regarding CLASSIC COUNTRY MUSIC and that it had no place in the evolution of Country Music. It has made it’s way to the site of the 2013 GRAMMY AWARDS TV SHOW. I am giving you the link to read yourself. I HAVE ACCEPTED BLAKE SHELTON’S APOLOGY TO ME PERSONALLY. I think Blake is a fine young man with a big future in Country Music. I AGREE that he should be given a chance to restore his credibility with the MILLIONS OF FANS who were deeply offended by those HURTFUL WORDS AND RENAMING US ALL AS…..well, you know what he said. I would regret it if the words I have spoken would in any way harm Blake personally or his career and his chances for the future. BEST OF LUCK TO YOU, BLAKE. Thanks All. RAY PRICE

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I've always really liked Miranda Lambert but it does make my respect for her drop a couple notches noting that she married such a tool.

Daniel Romano sounds great though! Thanks for the review Skot.

Comment by Hal Bogerd on January 28, 2013 at 2:29pm: Blake Shelton? Never heard of him.

Comment by Jeffrey M Fields on January 28, 2013 at 2:58pm: Hal: It's comments like yours that make me long for a Like button :)

Blake Shelton ranks near the top of my who-cares list. Ray Price shouldn't have given his comments the time of day.

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