Cool Album Of The Day : Dave Alvin "Blackjack David"

Today’s Cool Album of the Day (#808 in the Series) is Dave Alvin, Blackjack David

I’d like to write a little about Dave Alvin. Because I LOVE Dave Alvin.

Not in a physical way you understand, I don’t even know the man after all and neither of us are that way inclined (as far as I’m aware). Nevertheless, as a fan, an admirer and purchaser of his superb music, an attendee of (sadly only) one of his shows, I love Dave Alvin.

The guy’s bloody brilliant.

Oh and, specifically, I’d like to write a little bit about Dave’s crowning glory, his masterpiece, and of the very best albums of the last 20 years or so – Blackjack David. I can tell you now with complete honesty that, since its release in 1998, I have played this album more than any other, I know it inside out and I still enjoy it just as much now as I did when I first got it. Probably more in fact.

The first time I ever heard any of Dave’s music was when I purchased, on a whim, The Blasters album Hard Line in 1985. It got a great review, somewhere, and I though I’d take a chance on it, a thought which turned to be very fortuitous indeed. Dave Alvin was the guitarist in the band and his brother Phil was the singer. I totally loved Hard Line and I wasn’t long in working my way through the bands back catalogue, a body of work which contained such wonderful songs as “Marie Marie”, “American Music” and “Border Radio”, all written by Dave. Hard Line turned out, sadly, to be the bands final album (in 

their original phase at least) but it remains my favourite because the songs on it are simply so good and strong, it was obvious that Dave was coming on and getting much better as a songwriter.

All of which bode well for the solo career which he embarked upon in the late 80′s. I got his first effort, the superb Every Night About This Time (named Romeo’s Escape in America) and followed his output from then on, enjoying most of it, and being particularly fond of 1994′s King Of California, an acoustic re-visiting of some of his best material. I suppose by the late 90′s that he had become just another artist I liked, kept an eye out for, but didn’t think he was going to surprise me in any way, not that I even gave it much thought to be honest. And then, in 1998, quite out of the blue, appeared Blackjack David, a wonderful album with no weak links and, for me, his very best effort to date.

The title track ushers us in, gently at first, a hushed take on an old traditional tune, here given a wonderful reading and it’s immediately obvious that we’re in the hands of a master craftsman. It builds slowly and ends on a perfect note before “Abilene” comes rushing in. This one’s the tale of a teenage runaway who’s “Daddy’s get drunk and he’d hit her hard and her Mom would lie in bed, high on pills and talking to God”. She’s found herself in the Northwest, dancing on tables, and decided to head home to Texas and face some demons and reunite with an old flame. I think! She appears to change her mind somewhere along the way. it’s left open-ended a bit. Wonderful song though.

“New Highway” is a tale of a loner, out on the road again, it’s an acoustic blues beauty about a drifter with the world laid out before him and he intends to make the most of its opportunities (and its women).

One of the undoubted highlights is “1968”, simply a classic song, the story of two old friends who grew up together and shared adventures galore. They even marry sisters! Well, they join the Army and get shipped to Vietnam and only one comes home but he can’t settle, the memories, the pain, the thoughts of his old friend always preying on his mind. What happened over there haunts him for the rest of his life.  Think The Deer Hunter meets Springsteen’s “Highway Patrolman” and you’ll be close. It’s beautifully done and it was co-written, appropriately (as it’s about two great buddies), by Dave Alvin’s  friend Chris Gaffney who sadly passed away 4 years ago. Dave wrote a wonderful song for his old compadre “Run Conejo Run” which is on his latest album and he also pays emotional tribute in his live show these days. Try and catch it.

Wonderful songs all, but the real emotional heart  of the album lies in these three absolutely perfect songs :

“Evening Blues”. If that great American writer of fiction  Raymond Carver had ever written songs he would have been doing well to come up with something as perfect as this, a man slowly realizing that there’s nothing left between him and his partner, nothing except  resentments and tired old reminiscing. Whatever was there has run its course and it’s time to move on but neither wants to, or can, be the one to admit it ; ” I wish that I could hold you baby but you seem so far away, and I wish that I could kiss you baby but I’ve run out of sweet words to say”. Devastating, heartrending, brilliant songwriting.

“From A Kitchen Table” matches it though. A man sits late at night, Sunday, going through his mind and thinking about an old flame, the love of his life. She’s long gone from the small town they grew up in but he still lives with his mother, stuck in the same old rut, unable to leave her because the father passed on, he can’t leave his old Mom on her own. What he has, ALL he has ,is the memories of the perfect times they once shared and the love they knew.

A devastating portrayal of loneliness and lost opportunities, how a life can just go quietly wrong.

Even better than those two though, amazingly, is  “California Snow.” I’ve saved the best till last because this is one of the finest songs I’ve heard in my life. And you better believe I’ve heard a few!

This particular gem is another co-write, this time with another of Dave’s great friends Tom Russell, himself one of the most wondrous songwriters in the world today. On this one, they surpass themselves. It’s the truly heartbreaking tale of a Border Patrol guard, out on the back roads every night, recollections of his wife and family going through his head. He stumbles across two people, a man and his wife, trying to sneak into the country from Mexico and it goes from there. I won’t tell you any more, it’s devastating though and a masterful insight into human nature and the things we’ll do, and the price we’ll pay, for betterment.

As you’ll have noticed, there’s a lot of memories channeled in these songs, along with bitterness, regret, lost love and emotion. This isn’t throwaway material, it’s old, wise, world weary. A perfect album, as timeless in its way as legendary albums like  Bruce Springsteen’s Nebraska and American Recordings by Johnny Cash , two releases which are a lot better known than this one. Well, Blackjack David and the man who created it deserve more.

As mentioned earlier, Dave Alvin is a master at what he does and here  (musically) he fuses folk, blues, country and rock n roll into a seamless whole, a perfect take on that much fabled Cosmic American Music. And then he throws in some absolutely perfect songs for good measure.

And, my goodness, I haven’t even mentioned “Mary Brown” in which we encounter murder, betrayal and a sneaky femme fatale , an Americana take on James M. Cain.

Dave Alvin moved on to create some fantastic work after this one of course, indeed he even won a Grammy just two years later for his next release Public Domain (Songs From The Wild Land) an album which continued his gift for re-interpreting traditional material. He plays devastatingly good live shows and his latest effort 2011′s Eleven Eleven is a superb album, one of his very best. The man’s body of work is building into an essential part of American music’s rich history and with Blackjack David he created a defining statement.


Stephen Dalrymple

Track Listing

  1. Blackjack David

  2. Abilene
  3. New Highway
  4. California Snow
  5. Evening Blues
  6. Way You Say Goodbye
  7. Mary Brown
  8. Laurel Lynn
  9. 1968
  10. From a Kitchen Table
  11. Tall Trees


  • Dave Alvin –  Guitar,  Vocals
  • Gregory Boaz – Bass
  • Chris Gaffney – Accordion
  • Bob Glaub -  Bass
  • Bobby Lloyd Hicks – Drums, Percussion, Vocals
  • Brantley Kearns –  Fiddle
  • Greg Leisz – Banjo, Dobro, Guitar, Mandola, Mandolin, Pedal Steel, Slide Guitar
  • Dan McGough – Organ
  • Dillon O’Brian –  Accordion, Harmonium, Piano
  • David Piltch – Bass
  • Doug Wieselman – Clarinet, Organ

    This piece first appeared on Cool Album Of The Day : A music site which features exactly that, a different , cool , album every day . We cover all genres . If you enjoy what you see/read then please join and follow us on Facebook.

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Tags: ., Album, Alvin, Blackjack, Cool, Dave, David, Day, Of, The

Comment by Jack on November 12, 2012 at 9:48am

Amen!  THIS is the record for which he should have won a Grammy, not to slight Public Domain, which deserved the award.  This is my favorite among Dave's records and to my ears it's his most fully realized work; the vocals, songwriting, arrangements, the instruments used (clarinet?!) and the production sounded as warm and natural as anything one might ever hear. This really is an essential roots music masterpiece (and exceeds Nebraska by a fair shot if you ask me). I don't think Dave could have pulled this off earlier in his career.  Certainly the songwriting and guitar chops were always there,  he's proven that time and time again since. But early in his career, he could not sing.  He wasn't even a decent shouter. Over time he honed his vocals to the point where they became a highlight of his records, and on Blackjack David, his voice was absolutely crucial to the sound. Evening  Blues and From A Kitchen Table are my favorite songs on this record, gorgeous tunes on a record full of them. Not a note of filler on this record.

I also first heard of Dave in 1985 when my roommate brought home Hard Line, and it was an immediate case of hook, line and sinker. What a cool and all too rare feeling.  Hey Girl was bouncing in my head for a couple of days.  Went back and bought whatever Blasters music I could find.  Then in 1987 I went to see Los Lobos, got to the venue early so as to get close to the stage, and out walks Dave Alvin, so I figured, The Blasters are opening! This was pre-internet, news traveled more slowly and I didn't know he'd left the Blasters.  But it was Dave and The Allnighters, and they sounded great.  I left excited to know he had gone solo - now I had the Blasters and Dave to follow - but thinking it was unfortunate that he couldn't sing, because the songs and band were so good and the vocals wouldn't be leading them places.  But Dave obviously figured out how to sing before this record, King of California proves that.  Greg Leisz was in that Allnighters band I saw, he later produced Blackjack David.

Comment by Hal Bogerd on November 12, 2012 at 10:28am

Couldn't  agree more. I was lucky enough to catch the Blasters on a very early tour.

I had the album but had never seen the band and when I saw Phil's sweaty grimace the album cover made perfect sense!

Comment by Hal Bogerd on November 12, 2012 at 10:28am

Comment by steviedal on November 12, 2012 at 1:32pm
Thanks for the comments guys , appreciated.
I've only managed to see Dave once so far , it was in May this year on the Eleven Eleven tour, a great show in Glasgow, Scotland. More to come i hope !
Comment by mark loveday on February 4, 2013 at 1:09am

Like so many good if not great albums, first listens somehow fail to impress that much, but having listened to this several times now, it is seriously growing on me.

Thanks for the suggestion.


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Created by No Depression Feb 17, 2009 at 9:06pm. Last updated by No Depression Sep 24, 2012.