Buddy Holly phones Decca Records to request that the label return masters of some songs the label chose not to release so he can shop for a new label. There is some poignancy in how earnest and reasonable Buddy sounds, contrasted with the incredulity of his label correspondent. The phone call took place in 1957, but presumably this same phone call could have taken place between artist and label yesterday. Except today, the label would ask for a 360 deal.
The artist vs. the cigar-chomping executive. A free agent when the option wasn't picked up, but can he get the unreleased masters? Definitely not. Forgetful of this undignified scenario, a street called Buddy Holly Drive runs alongside Universal City in L.A. Indeed thanks for posting this.
money and driven talent ..like mixing oil and water...sometimes you`ll get salad dressing sometimes you`ll get a national disaster..
artists and investors..too bad it has to come down to a creative force needing a capitalists drug..
Nice find...does anyone know what songs Decca was holding hostage? Did the songs ever get released by Decca or released to Mr. Holly? I would imagine that if there was anything "in the can" on Decca's shelves they would have been quick to cash in when Mr. Holly died.
Sometimes I hate lawyers and then sometimes I wish everybody had one on retainer. Seems that Mr. Holly sure needed one....what's that Hunter S Thompson quote concerning the music business?
Ah, yes..."The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side. "
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