Matt Shedd is freelance writer and featured contributor here at No Depresson. Matt also started A Missing America: The Unauthorized American Arts and Culture Authority –an ongoing project tracing buried histories linking American film, music, literature, and other cultural artifacts. He has also published on Elvis in Chitrolekha International Magazine of Arts and Design and has a forthcoming article on Bob Dylan’s contemporary work to be featured in Rupkatha Journal on Interdisciplinary Studies in Humanities. Matt received his MA in English at the University of Oregon and also teaches college composition.
Contact Matt Shedd via matthewpaulshedd@gmail.com

By Matt Shedd
Originally published at A MISSING AMERICA: American Entertainment Blog and Monthly Online Magazine
AMA Magazine launching this March at…
Posted on February 10, 2012 at 4:30pm — 15 Comments
Charlie Parker recorded his completely unique take on George and Ira Gershwin’s Embraceable You for Dial on October 28, 1947. Returned to New York after 16 month haze in California,…
Posted on January 10, 2012 at 4:00pm
Charlie Parker is the eternal now that dries metaphysics into dust. Careening between elation and nothing-at-all, a virile intoxication, a force of nature with gold streaming through…
Posted on December 24, 2011 at 4:30pm — 2 Comments
A well-written song caught on record always sounds effortless. Before the final product is presented though, like any craft, it’s usually nothing but damn hard work. Arthur Alligood’s songs convey this sense of ease about writing and…
Posted on July 13, 2011 at 6:30pm
Posted on May 22, 2011 at 2:00pm — 7 Comments
John Hammond was one of the early connoisseurs of black music. A visionary who recorded, produced, scouted, and was one of the undisputed giants who shaped 20th century music history. A man who could set you up to be king… Continue Posted on May 20, 2011 at 1:30am
"The musicians in Moonsville Collective know their songs are always coming up through the landscape--the tradition. They negotiate their way through the ghosts of American history. That struggle we all feel fighting against the…
Posted on May 6, 2011 at 6:00am
BOOK REVIEWS: Tosches, Nick. Hellfire. New York: Grove, 1982. and Tosches's Country: The Twisted Roots of Rock 'n' Roll. New York: Da Capo, 1984.
If you are interested in the history of American…
ContinuePosted on May 3, 2011 at 2:00pm — 6 Comments
Posted on April 22, 2011 at 10:30pm — 6 Comments
Scott Warmuth said… You explore some interesting ideas in your post and the mistakes were minor. They jumped out at me in that I am very, very familiar with Chronicles: Volume One, having done extensive research on the book. Last year I wrote an essay for New Haven Review on how Dylan's memoir is written in code from cover to cover. You might find of interest, it is at http://newhavenreview.com/wp-content/uploads/2008/01/NHR-006-Warmuth.pdf
I explore other hidden elements in Dylan's work on my blog at http://swarmuth.blogspot.com/. Recently I took a look at Dylan's apparent use of the writing of Henry Rollins in a five part series of posts.
One very interesting mention of the devil in Chronicles: Volume One is the very last sentence. Dylan writes about leaving the folk music scene, which had been like a paradise, and entering the strange world ahead. He closes his memoir with, "One thing for sure, not only was it not run by God, but it wasn't run by the devil either."
Hi Matt
As a featured contributor to No Depression, I’m particularly keen on getting your feedback for the following – Please forgive the intrusion if you don’t have the time or inclination to reply.
I’ve posted the following to the No Depression discussion board – you can either respond there or alternatively drop me a line at shatchsurvey1@yahoo.co.uk
Thanks very much for your time
Kind regards,
Steve
My name is Steve Hatch and I’m currently conducting research for my Master’s in Songwriting at Bath Spa University in Bath, England (though I happen to be an ex-pat Georgia boy). I would be extremely grateful if you could find the time to listen to the track (link below) and answer the 2 accompanying questions. The more detail, the better of course (more to say in my final analysis) – but all feedback will be useful and very much appreciated.
Sadly, as this is an academic pursuit, there is a deadline. Please reply by May 20th if at all possible so that I can have time to chew over your response and include it in my final write-up.
The track: http://soundcloud.com/stevehatch
1) Which artist/band(s) would you say the track is most similar to and why?
2) Which genre(s) would you say the track belongs to and why?
Hey Matt,
You can go to tamaracolonna.com for more music. I'm also on Reverbnation and American Song Space.
Tamara
Thanks, Matt! Keep those articles coming. I'm about to drop some Jorma music onto my page..check it out.
Lowell
Dave Hardy said…
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Created by No Depression Feb 17, 2009 at 9:06pm. Last updated by No Depression Sep 24, 2012.
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